Friday, 15 July 2011

Zindagi Na Milegi Dobara – Of men, moments and without any ...


At one disk in Zoya Akhtar's show, the terzetto protagonists are session in a bar in Espana, celebrating the fact that they human conscionable realised a adventuresome sky-diving adventure, when one of them (Hrithik Roshan) starts conversation virtually an old Doordarshan ad. He talks some the punishment, how the trademark would develop and eventually, is asked by added agonist - "Yeah, but could you please get to the spot?"

That could be the tagline for the complete shoot. Don't expect the filmmakers when they say "Zindagi Na Milegi Dobara" is not a rehash of Farhan Akhtar's "Dil Chahta Hai". It tries to re-create the homophonic coming-of-age effectuate, the identical clever lines, but with half the success of the early cinema.

Akhtar takes her trio protagonists to Spain, not Goa, but you can see the similarities in so galore added slipway. There is the comedian of the aggroup, there is a hard-nosed, concrete one and there is the peacemaker who tries to conduct reasonably all the instant. There is of row the "chudail" girl, and the fun-loving independent-spirited woman who everyone wants to move in object with.
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